and this direct follow up from Represenative Norton’s office:
“This play is very profound, essentially because all of the characters are flawed. Twenty years ago, this play would have been perceived in a very different way. Why is it perceived this way today? The more equal you become, the more you will be seen just about like everyone else, even if there is still ingrained racism in this society. We will see the attitude in this extraordinary play reflected in policy makers, reflected in judges, reflected in the population at large. Even today, young people are far more likely to know who is a jerk than people of my age. So get ready for it.”
from Today’s front page of The New York Times
“Voting Law Decision Could Sharply Limit Scrutiny of Rules”
WASHINGTON — If the Supreme Court strikes down or otherwise guts a centerpiece of the Voting Rights Act, there will be far less scrutiny of thousands of decisions each year about redrawing district lines, moving or closing polling places, changing voting hours or imposing voter identification requirements in areas that have a history of disenfranchising minority voters, voting law experts say.
Also Awaiting a Supreme Court Decision:
Fisher v. University of Texas — The Supreme Court is going to decide whether colleges can consider race as one factor in the admissions process. The Supreme Court is likely to do away with or severely limit affirmative action as we know it, in part because Anthony Kennedy has previously opposed affirmative action.
See RACE, running through March 17 at Theater J.
Jimmy Walen and Michael Anthony Williams in RACE
Michael Anthony William, Jimmy Walen, and Leo Erickson in RACE
This discussion begins a multi-week discourse about the enduring relevance of the works and words of David Mamet. On Sunday, February 24 at 4:30 pm, the conversation continues with a panel on Mamet’s Jewish Identity
featuring The Forward‘s Ezra Glinter and Joshua Furst, author and frequent contributer toThe Forward.
The video here records the final panel session from our RACE IN AMERICA: WHERE ARE WE NOW? Symposium Weekend. Moderators: Ryan Rilette, Artistic Director of Round House Theatre Ari Roth, Artistic Director of Theater J
• Mitchell Hébert, Director of Round House Theatre’s production of Glengarry Glen Ross and 2012 Helen Hayes Award recipient for Outstanding Lead Actor in Theater J’s production of After the Fall
• Joy Zinoman, Director, Founding Artistic Director of Studio Theatre
• Javier Rivera, Assistant Professor Theatre/Music Theatre at American University
• KenYatta Rogers, Director, Educator, and Actor in Glengarry Glen Ross
• Jennifer Nelson, Writer/Director Founding Producing Director of African Continuum Theatre
Six months in the planning, the weekend is finally here, and so far, so excellent. Our “Race in America” weekend has gotten off to a rousing start.
You can read the preamble to the weekend here. And check out highlights of the first presentation below. Video clips will be coming once edited. Until then, we’ve got opening remarks to share, and our student bloggers following up in the Comments section on the first day’s sessions.
Presented by E. Ethelbert Miller, poet and director of the African American Resource Center at Howard University
A multi-media think-piece on the backlash against the Obama Presidency, using as its model the audacity of the first African American in Major League Baseball’s unforgettable act of stealing home in the 1955 World Series against the NY Yankees and the outrage and inspiration it provoked.
Here are some of my words of introduction to Ethelbert:
Words about E. Ethelbert Miller – Poet, Sportswriter, Teacher, Activist, Agitator, Artist, Board Member, Father, Friend. Continue reading