If we had time today to reflect instead of crazy prep for two shows tonight — the 7:30 sold out performance of SHOLOM ALEICHEM: LAUGHTER THROUGH TEARS (our 12th sold out show out of 13 performances thus far), followed by the 10 PM New Years Eve concert of Serendipity 4 (Theo Bikel’s quartet comprised of the equally estimable Tamara Brooks, Merima Kljuco, and Shura Lipovsky) –we’d be perusing through this year’s blog entries–not to mention box office night end reports–to recount Theater J’s most popular and financially successful season ever. Sounds strange, doesn’t it? In the midst of this economic turmoil and all our nation’s–not to mention Jewish community’s–financial instability, Theater J offerings were never more boisterously attended, nor more remunerative. Dare we review?
SHLEMIEL THE FIRST: A musical derided by Mr. Marks as “Jewish Hee-Haw” eclipsed projections, built an enthusiastic following, divided our regulars, and made us smile every single night as audiences lingered for the klezmir jam session between the fabulous trio of top-flight musicians.
JUDY GOLD in 25 QUESTIONS… Swore like a sailor. At all of us in the office. All the time. And occasionally on stage. And we loved her all the same. And she brought box office gold too. And tons of mothers and daughters and grand daughters. She’s got a new show that just opened in Boston. She says I’m an anti-Semite if I don’t book her tomorrow. I might have too.
THE PRICE: The Proskys broke all box office records during their historic run–until Sandra Bernhard broke those (in her differently historic run). Until Bikel smashed hers. It’s been that kind of season. But Bob Prosky was irreplaceable. And his performance as Solomon, unforgettable.